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MOVIE REVIEW — Jumbo (PFF29)
This time a year ago, I was getting a charge out of the 28th yearly Philadelphia Film Festival, taking in screenings for Rian Johnson's Knives Out and Martin Scorsese's The Irishman, Taika Waititi's healthy parody Jojo Rabbit, and grant season dear, Bong Joon-ho's Parasite. The last film I saw at PFF28 nonetheless, was Céline Sciamma's excellent romantic tale that was Portrait of a Lady on Fire, featuring Adèle Haenel and the star of my first film for this virtual rendition of the Philly Film Fest, Noémie Marant. I'd lie on the off chance that I said Portrait of a Lady on Fire didn't impact my choice to see Jumbo, with Merlant's exhibition and my affection for that film truly reassuring me to give this one a shot, thus attempt I did. According to the standard thing, my rating of this film is unmistakably shown above, so you know as of now that I idea it was incredible, and on the off chance that you decide to click off of this survey now, I will abso...
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